Writing and arranging music is one of my passions – it makes me feel alive. Part of the joy that comes from creating a piece of music is when it is given life in performance. My goal with creating Headless Mallets Publishing is to be able to make more of my music available to more people.
I have chosen to make many of my pieces available with a one-time purchase price and permission to make sufficient copies for your musicians. Permission is granted to broadcast or live stream performances of all Headless Mallets Publishing pieces for non-commercial purposes.
Contact:
HeadlessMallets@gmail.com
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Handbell Music:
| A Glorious Light Have Seen (arr. Lauran Delancy) | HM028 | |
| 8-Bell | 2 octaves Handbells (F5-G6) | |
| A Glorious Light Have Seen is an 8-Bell handbell arrangement of the hymn tune LOBT GOTT, IHR CHRISTEN utilizing bells F5-G6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This is a bright arrangement utilizing eighth notes for a festive sound. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (most spaces in the left hand and lines in the right hand) under the title A Glorious Light Have Seen (Alternate Key). The hymn texts most commonly associated with this tune are: The People That in Darkness Sat (Epiphany), Let All Together Praise Our God (Christmas), and O Happy Day When We Shall Stand. All notes are rung and no tables are needed. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| A Glorious Light Have Seen (Alternate Key) (arr. Lauran Delancy) | HM029 | |
| 8-Bell | 2 octaves Handbells (E5-F#6) | |
| A Glorious Light Have Seen (Alternate Key) is an 8-Bell handbell arrangement of the hymn tune LOBT GOTT, IHR CHRISTEN utilizing bells E5-F#6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This is a bright arrangement utilizing eighth notes for a festive sound. This arrangement allows a quartet to ring with standard position assignments (most spaces in the left hand and lines in the right hand). An alternate key version is available under the title A Glorious Light Have Seen that uses bells F5-G6. The hymn texts most commonly associated with this tune are: The People That in Darkness Sat (Epiphany), Let All Together Praise Our God (Christmas), and O Happy Day When We Shall Stand. All notes are rung and no tables are needed. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Baptized Into Your Name, Most Holy (arr. Lauran Delancy) | HM043 | |
| 8-Bell | 2 octaves Handbells (G5-G6) | |
| Baptized Into Your Name, Most Holy is an 8-Bell handbell arrangement of the hymn tune O DASS ICH TAUSEND ZUNGEN HATTE (DRETZEL) utilizing bells G5-G6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Baptism, this tune is often associated with the hymn texts Baptized Into Your Name, Most Holy and By Grace I’m Saved. This simple arrangement is a playful and joyful setting in 3/4. This arrangement is available in an alternate key for those who prefer to play the piece with a different option of handbell assignment positions in respect to spaces in the left hand and lines in the right hand under the title Baptized Inro Your Name, Most Holy (Alternate Key). All notes are rung and no tables are needed. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Baptized Into Your Name, Most Holy (Alternate Key) (arr. Lauran Delancy) | HM044 | |
| 8-Bell | 2 octaves Handbells (F5-F6) | |
| Baptized Into Your Name, Most Holy (Alternate Key) is an 8-Bell handbell arrangement of the hymn tune O DASS ICH TAUSEND ZUNGEN HATTE (DRETZEL) utilizing bells F5-F6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Baptism, this tune is often associated with the hymn texts Baptized Into Your Name, Most Holy and By Grace I’m Saved. This simple arrangement is a playful and joyful setting in 3/4. This arrangement is available in an alternate key for those who prefer to play the piece with a different option of handbell assignment positions in respect to spaces in the left hand and lines in the right hand under the title Baptized Into Your Name, Most Holy that uses handbells G5-G6. All notes are rung and no tables are needed. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Bells Still Are Chiming and Calling (arr. Lauran Delancy) | HM012 | |
| Handbell Duet | 3-4 octaves Handbells | |
| Bells Still Are Chiming and Calling is a Handbell duet arrangement of the hymn tunes KIRKEN DEN ER ET GAMMELT HUS, often associated with the hymn text Built on the Rock, and MAGDALEN, often associated with the hymn text My Hope is Built on Nothing Less. The duet is written for 3 octaves of handbells with an optional D7. This arrangement is dedicated to the faithful saints of churches throughout the world, particularly Historic Trinity Lutheran Church in Milwaukee, Wisconsin and Notre Dame de Paris who continue the Lord’s work even in the midst of damage and loss to their physical buildings. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Blest Be The Tie That Binds (arr. Lauran Delancy) | HM037 | |
| Handbell Ensemble | 3 or 5 octaves Handbells (L2) | |
| Blest Be The Tie That Binds is a simple and peaceful arrangement of the hymn tune DENNIS. This piece moves with a gentle lilting of openness, trust and an air of innocence. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Color Chorded Series (created by Lauran Delancy) | ||
| Please see listing below Handbells for available Color Chorded titles. | ||
| ********************* | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Come, Holy Ghost (arr. Lauran Delancy) | HM017 | |
| Handbell Duet | 3 octaves Handbells, with optional Bb3 | |
| Come, Holy Ghost is a handbell duet arrangement combining the chant VENI CREATOR SPIRITUS (Come, Holy Ghost, Creator Blest) and SONG 13 (Holy Spirit, Light Divine). The use of singing bell technique and suspended mallets on a bell tree create an ethereal sound fitting for Pentecost. The duet is written for 3 octaves of handbells with an optional Bb3. Simply written to have a complex and full sound with only two ringers, the Db6-C7 bells are only used in bell tree throughout the piece, allowing the ringers to utilize only one set of handbells either with or without use of a bell tree stand. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Come, Savior, Come (arr. Lauran Delancy and Eric Schlef) | HM004 | |
| Handbell Solo | 4 octaves Handbells, with piano accompaniment | |
| Come, Savior, Come is a handbell solo with piano accompaniment combining Come, Thou Long Expected Jesus (JEFFERSON) and Savior of the Nations, Come (NUN KOMM, DER HEIDEN HEILAND). This arrangement utilizes suspended mallets as well as ringing. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Come, Thou Fount of Every Blessing (arr. Lauran Delancy) | HM048 | |
| Handbell Duet | 3 octaves Handbells | |
| Come, Thou Fount of Every Blessing is a handbell duet full of rhythmic vitality. This 3 octave setting of the hymn tune NETTLETON is unaccompanied. Seamlessly move from rhythmic passages played with mallets to fluid melodic ringing that compliments the tune. This duet setting is full of energy and drive that is as fun to listen to as it is to play. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Connect 6 (Joyously Resound) (Lauran Delancy) | HM011 | |
| Handbell Ensemble, or Sextet, or Quintet |
5 octaves Handbells, or 3 octaves Handbells with Piano, optional Handchimes (L3) |
|
| Connect 6 is a versatile original work for handbells. The piece begins and ends with a joyous rhythmic idea built on the malleted bass line with a lyrical and melodic middle section. The piece shifts between 6/8 in 2 and 6/8 in 3 as well as 9/8 and 3/4 time. Originally conceived as a sextet, Connect 6 may be used in multiple ways: (1) as a 5 octave Handbell ensemble; (2) as a 5 octave Handbell sextet; (3) as a 3 octave Handbell ensemble with Piano; or (4) as a 3 octave Handbell quintet with Piano. All performance possibilities also include optional 3 octaves of Handchimes. The alternate title Joyously Resound is provided. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Evening Light (arr. Lauran Delancy) | HM014 | |
| 8-Bell | 2 octaves Handbells (G5-G6) | |
| Evening Light is an 8-BellHandbell arrangement of the hymn tune ST CLEMENT utilizing bells G5-G6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This arrangement highlights the lilting give and take of the melody with a quiet peace. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (spaces in the left hand and lines in the right hand) under the title Evening Light (in Bb). Common hymn titles associated with this tune are: O Light Whose Splendor, and The Day Thou Gavest, Lord, Is Ended. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Evening Light (in Bb) (arr. Lauran Delancy) | HM021 | |
| 8-Bell | 2 octaves Handbells (F5-F6) | |
| Evening Light (in Bb) is an 8-Bell handbell arrangement of the hymn tune ST CLEMENT utilizing bells F5-F6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This arrangement highlights the lilting give and take of the melody with a quiet peace. This arrangement allows a quartet to ring with standard position assignments (spaces LH and lines RH). An alternate key version is available under the title Evening Light that uses bells G5-G6. Common hymn titles associated with this tune are: O Light Whose Splendor, and The Day Thou Gavest, Lord, Is Ended. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Faure’s Pavane (arr. Lauran Delancy) | HM039 | |
| Handbell Solo | 3 octaves Handbells, with piano accompaniment | |
| Faure’s Pavane is an arrangement of Gabriel Faure’s Pavane in F# minor, Op.50 for Solo Handbells with piano accompaniment. This simple setting is a calming and beautiful addition to the handbell soloist’s repertoire set in G minor. | ||
| Listen, View and Purchase | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| God Loved The World So That He Gave (arr. Lauran Delancy) | HM016 | |
| 8-Bell | 2 octaves Handbells (G5-G6) | |
| God Loved The World So That He Gave is an 8-Bell handbell arrangement of the hymn tune ST CRISPIN utilizing bells G5-G6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each with no need for tables. This arrangement utilizes a lot of step-wise movement and blending of sound. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (spaces in the left hand and lines in the right hand) under the title God Loved the World So That He Gave (Alternate Key). | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| God Loved The World So That He Gave (in Bb) (arr. Lauran Delancy) | HM022 | |
| 8-Bell | 2 octaves Handbells (F5-F6) | |
| God Loved The World So That He Gave (in Bb) is an 8-Bell handbell arrangement of the hymn tune ST CRISPIN utilizing bells F5-F6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This arrangement utilizes a lot of step-wise movement and blending of sound. This arrangement allows a quartet to ring with standard position assignments (spaces LH and lines RH). An alternate key version is available under the title God Loved the World So That He Gave that uses bells G5-G6. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Guide Me, O Thou Great Redeemer (arr. Lauran Delancy) | HM047 | |
| Handbell Duet | 3 octaves Handbells, with Piano accompaniment | |
| Guide Me, O Thou Great Redeemer is a joyful handbell duet setting of the hymn tune CWM RHONDDA. This duet utilizes 18 bells from G4-C7 with piano accompaniment. Both parts take turns with the melody, embellishment, and counter melody. The playful accompaniment gives the entire piece a feeling of continuous motion and elation. This hymn is subtitled God of Grace and God of Glory. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Holy God, We Praise Thy Name (arr. Lauran Delancy) | HM019 | |
| 8-Bell | 2 octaves Handbells (F5-G6) | |
| Holy God, We Praise Thy Name is an 8-Bell handbell arrangement of the hymn tune GROSSER GOTT utilizing bells F5-G6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. The piece is a moderate tempo with a lightness. The first statement is simple and straight forward, the middle section has the forward motion of eighth notes, and the final section is a fuller embellishment on the melody. All notes are rung and no tables are needed. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (most spaces in the left hand and lines in the right hand) under the title Holy God, We Praise Thy Name (Alternate Key). | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Holy God, We Praise Thy Name (Alternate Key) (arr. Lauran Delancy) | HM027 | |
| 8-Bell | 2 octaves Handbells (E5-F#6) | |
| Holy God, We Praise Thy Name (Alternate Key) is an 8-Bell handbell arrangement of the hymn tune GROSSER GOTT utilizing bells E5-F#6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. The piece is a moderate tempo with a lightness. The first statement is simple and straight forward, the middle section has the forward motion of eighth notes, and the final section is a fuller embellishment on the melody. All notes are rung and no tables are needed. This arrangement allows a quartet to ring with standard position assignments (most spaces in the left hand and lines in the right hand). An alternate key version is available under the title Holy God, We Praise Thy Name that uses bells F5-G6. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| How Good, Lord, To Be Here (arr. Lauran Delancy) | HM034 | |
| 8-Bell | 2 octaves Handbells (G5-G6) | |
| How Good, Lord, To Be Here is an 8-Bell handbell arrangement of the hymn tune POTSDAM utilizing bells G5-G6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Transfiguration, this piece utilizes triplets, eighth notes, and the swing technique to paint a sense of growing awe. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (spaces in the left hand and lines in the right hand) under the title How Good, Lord, To Be Here (Alternate Key). All notes are rung and no tables are needed. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| How Good, Lord, To Be Here (Alternate Key) (arr. Lauran Delancy) | HM035 | |
| 8-Bell | 2 octaves Handbells (F5-F6) | |
| How Good, Lord, To Be Here (Alternate Key) is an 8-Bell handbell arrangement of the hymn tune POTSDAM utilizing bells F5-F6 by Lauran Delancy. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Transfiguration, this piece utilizes triplets, eighth notes, and the swing technique to paint a sense of growing awe. This arrangement allows a quartet to ring with standard position assignments (spaces in the left hand and lines in the right hand). An alternate key version is available under the title How Good, Lord, To Be Here that uses bells G5-G6. All notes are rung and no tables are needed. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Hymn to Joy (arr. Lauran Delancy) | HM033 | |
| Handbell Ensemble | 2-3 octaves Handbells (L1+) | |
| Hymn to Joy is a simple setting of the hymn tune HYMN TO JOY based on the famous melody by Beethoven. The hymn texts most commonly associated with this tune are Joyful, Joyful We Adore Thee and Alleluia, Alleluia! Hearts to Heaven. This simple piece was designed to have no bell changes and not need tables. A Level 1+ piece, this approachable beginning setting creates a feeling of celebration using shakes and TD. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| In the Garden (arr. Lauran Delancy) | HM036 | |
| Handbell Ensemble | 3-5 octaves Handbells, Optional 3-5 octaves Handchimes (L2+) | |
| In the Garden is a setting of the hymn tune GARDEN. This piece begins gently with the singing bell technique and suspended mallets and moves into a flowing statement of the melody. As the piece develops, it becomes bolder and fuller. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Infant Holy, Infant Lowly (arr. Lauran Delancy) | HM006 | |
| Handbell Ensemble | 3 or 5 octaves Handbells, Optional F3 Handbell (L2) | |
| Infant Holy, Infant Lowly is a simple setting of the hymn tune W ZLOBIE LEZY. This piece was designed to have no bell changes and only two instruments per hand for 11 ringers (3 octave) or 13 ringers (5 octave) with an additional optional singing bell which sounds for the entire piece. It is a calm and reflective piece that can be easily memorized to provide versatility in presentation. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Lamb of God for Sinners Wounded (arr. Lauran Delancy) | HM032 | |
| Handbell Duet | 3 octaves Handbells | |
| Lamb of God for Sinners Wounded is a handbell duet arrangementof the hymn tune O MEIN JESU, ICH MUSS STERBEN which is often associated with the hymn text Stricken, Smitten and Afflicted. This contemplative duet is written for 3 octaves of handbells. The mournful nature of the piece begins with a single singing bell before developing into an emotional piece. This sensitive setting builds in fervor before ending on an open octave as the story is not yet finished. An excellent piece for Lent or Holy Week, the hymn text centers on Isaiah 53:3-6. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Meditation No. 1 (Lauran Delancy) | HM040 | |
| Handbell Duet | 3 octaves Handbells, with Piano accompaniment | |
| Meditation No. 1 is an original composition for handbell duet with piano accompaniment. Set in a minor key, this piece gives each ringer a turn at the melody before combining to compliment and mirror each other alternately. Suitable for a time of reflection, this piece is based on a longer work for Flute, Viola and Piano. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| O Holy Night (arr. Lauran Delancy) | HM010 | |
| Handbell Solo with Handchime Accompaniment |
4 octaves Handbells and 3 octaves Handchimes (L3) | |
| O Holy Night is an arrangement of the traditional tune CANTIQUE DE NOEL for Solo Handbells accompanied by 3 octave Handchime ensemble. The setting has allusions to a music box feel building in intensity throughout. Both the soloist and the ensemble take turns with the melody and accompaniment. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Praise to the Lord, the Almighty (arr. Lauran Delancy) | HM013 | |
| Handbell Duet | 3 octaves Handbells | |
| Praise to the Lord, the Almighty is a Handbell Duet arrangementof the hymn tune LOBE DEN HERREN. The duet is written for 3 octaves of handbells. Beginning and ending with a fanfare-like flourish, this piece also has a middle section utilizing mallets in the lower voice. Celebratory in nature. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Rondo Alla Turca (arr. Lauran Delancy) | HM015 | |
| Handbell Duet | 4 octaves Handbells | |
| Rondo Alla Turca is a transcription of Mozart’s famous piano work for handbell duet. Alternating between malleted passages and ringing, this is an advanced handbell duet when performed at tempo. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Stricken, Smitten and Afflicted (arr. Lauran Delancy) | HM030 | |
| 8-Bell | 2 octaves Handbells (G5-G6) | |
| Stricken, Smitten and Afflicted is an 8-Bell handbell arrangement of the hymn tune O MEIN JESU, ICH MUSS STERBEN utilizing bells G5-G6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Lent or Holy Week, this piece is contemplative handbell arrangement of the hymn centering on Isaiah 53:3-6. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (spaces in the left hand and lines in the right hand) under the title Stricken, Smitten and Afflicted (Alternate Key). This hymn tune is also paired with the text Spirit, Come, Dispel Our Sadness. All notes are rung and no tables are needed. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Stricken, Smitten and Afflicted (Alternate Key) (arr. Lauran Delancy) | HM031 | |
| 8-Bell | 2 octaves Handbells (F#5-F#6) | |
| Stricken, Smitten and Afflicted (Alternate Key) is an 8-Bell handbell arrangement of the hymn tune O MEIN JESU, ICH MUSS STERBEN utilizing bells F#5-F#6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Lent or Holy Week, this piece is contemplative handbell arrangement of the hymn centering on Isaiah 53:3-6. This arrangement allows a quartet to ring with standard position assignments (spaces in the left hand and lines in the right hand). An alternate key version is available under the title Stricken, Smitten and Afflicted that uses bells G5-G6. This hymn tune is also paired with the text Spirit, Come, Dispel Our Sadness. All notes are rung and no tables are needed. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Swedish Advent Tune (arr. Lauran Delancy) | HM023 | |
| Handbell Ensemble | 2-3 octaves Handbells (L2) | |
| Swedish Advent Tune is a simple setting of the hymn tune BEREDEN VAG FOR HERRAN. The words most commonly associated with this hymn are Prepare the Royal Highway and Prepare the Way, O Zion. This simple piece was designed to have no bell changes. Truly a Level 1 piece, this approachable beginning setting has a forward motion that sets the mood of preparing for Advent. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Thaxted (Gustav Holst, arr. Lauran Delancy) | HM001 | |
| Handbell Duet | 3-4 octaves Handbells | |
| Thaxted is an unaccompanied handbell duet based on the hymn tune THAXTED by Holst with allusions to JERUSALEM. The tune rises from a singing bell to build and unfolds throughout the piece between both ringers. Hymn titles commonly sung to this tune are I Vow to Thee My Country, We Praise and Acknowledge You O God, and O God Beyond All Praising. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| The Sight Is Glorious (arr. Lauran Delancy) | HM041 | |
| 8-Bell | 2 octaves Handbells (F#5-G6) | |
| The Sight is Glorious is an 8-Bell handbell arrangement of the Welsh hymn tune BRYN CALFARIA utilizing bells F#5-G6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Ascension, this tune is often associated with the hymns Look Ye Saints, the Sight is Glorious and Lord, Enthroned in Heavenly Splendor. This arrangement is joyful with melodic ornamentation developing as the piece progresses. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (most spaces in the left hand and lines in the right hand) under the title The Sight is Glorious (Alternate Key). All notes are rung and no tables are needed. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| The Sight Is Glorious (Alternate Key) (arr. Lauran Delancy) | HM042 | |
| 8-Bell | 2 octaves Handbells (E5-F6) | |
| The Sight is Glorious (Alternate Key) is an 8-Bell handbell arrangement of the Welsh hymn tune BRYN CALFARIA utilizing bells E5-F6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. An excellent piece for Ascension, this tune is often associated with the hymns Look Ye Saints, the Sight is Glorious and Lord, Enthroned in Heavenly Splendor. This arrangement is joyful with melodic ornamentation developing as the piece progresses. This arrangement allows a quartet to ring with mostly standard position assignments (spaces in the left hand and lines in the right hand). An alternate key version is available under the title The Sight is Glorious that uses bells F#5-G6. All notes are rung and no tables are needed. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| This Joyful Eastertide (arr. Lauran Delancy) | HM045 | |
| Handbell Duet | 3 octaves Handbells | |
| This Joyful Eastertide is an arrangement of the hymn tune VRUECHTEN for unaccompanied handbell duet. Perfect for the Easter season, this setting is light and joyful using martellato, martellato-lifts, shakes, and mallets to create a celebration worthy of the hymn text. For 3 octaves of handbells. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Thy Strong Word (arr. Lauran Delancy) | HM002 | |
| 8-Bell | 2 octaves Handbells (F#5-G6) | |
| Thy Strong Word is an 8-Bell Handbell arrangement of the hymn tune EBENEZER utilizing bells F#5-G6. May be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This arrangement begins with the light breaking the darkness and unfolds using eighth note and triplet figures. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (most spaces in the left hand and lines in the right hand) under the title Thy Strong Word (Alternate Key). Other common hymn texts associated with this tune are: O the Deep, Deep Love of Jesus, and To Us All, to Every Nation, and Alleluia! Alleluia!. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Thy Strong Word (Alternate Key) (arr. Lauran Delancy) | HM026 | |
| 8-Bell | 2 octaves Handbells (F#5-G6) | |
| Thy Strong Word (Alternate Key) is an 8-Bell Handbell arrangement of the hymn tune EBENEZER utilizing bells E5-F6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This arrangement begins with the light breaking the darkness and unfolds using eighth note and triplet figures. This arrangement allows a quartet to ring with standard position assignments (most spaces in the left hand and lines in the right hand). An alternate key version is available under the title Thy Strong Word that uses bells F#5-G6. Other common hymn titles associated with this tune are: O the Deep, Deep Love of Jesus, and To Us All, to Every Nation, and Alleluia! Alleluia!. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Were You There (arr. Lauran Delancy) | HM020 | |
| Handbell Solo | 2 octaves Handbells, unaccompanied | |
| Were You There is a simple arrangement for unaccompanied solo handbells. Based on the melody of the African American spiritual Were You There. Primarily melody with some echo and swing techniques, the effect is lyrical while stark and fitting to the hymn. There is much room for musicality and phrasing in this handbell solo. | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| When Morning Dawns (arr. Lauran Delancy) | HM024 | |
| 8-Bell | 2 octaves Handbells (F#5-G6) | |
| When Morning Dawns is an 8-Bell handbell arrangement of the hymn tune CONSOLATION (sometimes alternately referenced as MORNING SONG) utilizing bells F#5-G6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This arrangement builds in the anticipation of Advent with eighth note movement. This piece is available in an alternate key for those who prefer to play the piece with more standard handbell assignment positions (most spaces in the left hand and lines in the right hand) under the title When Morning Dawns (Alternate Key). Common hymn texts associated with this tune are: The King Shall Come When Morning Dawns, and O Holy City, Seen of John, and Song of Mary (Magnificat). | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| When Morning Dawns (Alternate Key) (arr. Lauran Delancy) | HM025 | |
| 8-Bell | 2 octaves Handbells (E5-F6) | |
| When Morning Dawns (Alternate Key) is an 8-Bell handbell arrangement of the hymn tune CONSOLATION (sometimes alternately referenced as MORNING SONG) utilizing bells E5-F6. It may be rung with two people in 4-in-Hand or four people in a small ensemble with 2 bells each. This arrangement builds in the anticipation of Advent with eighth note movement. This arrangement allows a quartet to ring with standard position assignments (most spaces LH and lines RH). An alternate key version is available under the title When Morning Dawns that uses bells F#5-G6. Common hymn texts associated with this tune are: The King Shall Come When Morning Dawns, and O Holy City, Seen of John, and Song of Mary (Magnificat). | ||
| Listen, View and Purchase at HandbellWorld or JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Y.M.C.A. (arr. Lauran Delancy) | HM003 | |
| Handbell Ensemble | 3, 4, 5, 6 octaves Handbells, optional 2 octaves Handchimes | |
| This timeless dance hit by the Village People is now available for 4-6 octave Handbells (a compatible 3 oct. version is also available) and opt. 2 oct. Handchimes. With a fun malleted bass line and inner harmony details, this piece pairs perfectly with drumset for a fun disco experience. | ||
| 3 octave Listen, View and Purchase on SheetMusicPlus | ||
| 4-6 octave Listen, View and Purchase on SheetMusicPlus | ||
Color Chorded Series:
| The Color Chorded Series makes handbells and handchimes immediately accessible through a system of colored blocks! Color Chorded is a system for ringing handbells and/or handchimes with singing. The system works well for non-music readers of all ages. The director points to each colored block as the music progresses across the page. Instructions and tips are included in each packet which contains an Assignment/Equipment Page, notated Melody, a Lyrics Lead Sheet, and Color Chorded Chart. | ||
| HM-CC-16 Alleluia! Sing to Jesus | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-10 Away in a Manger | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-11 Away in a Manger (Cradle Song) | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-14 Come, Thou Long-Expected Jesus (Hyfrydol) | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-02 Give Me Oil in My Lamp | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-01 God is So Good | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-18 God Loved the World So That He Gave | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-05 God Loves Me Dearly | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-04 I Am Jesus’ Little Lamb | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-06 I Am Trusting Thee, Lord Jesus | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-03 Jesus Loves Me | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-12 Joy to the World | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-08 Lamb of God, Pure and Holy | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-17 Lord of Glory, You Have Bought Us | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-15 Love Divine, All Loves Excelling | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-13 O Come, O Come, Emmanuel | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-21 Praise Him, All Ye Little Children | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-09 Silent Night | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-20 Take My Life and Let It Be (HENDON) | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-19 This Little Light of Mine | HandbellWorld or JWPepper or SheetMusicPlus | |
| HM-CC-07 When I Survey the Wondrous Cross | HandbellWorld or JWPepper or SheetMusicPlus | |
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
Choral Music:
| How Firm a Foundation (arr. Lauran Delancy) | HM018 | |
| Choral | SATB, a capella | |
| How Firm a Foundation is an a capella SATB setting of the hymn tune FOUNDATION. This piece paints the confidence of the text with the buoyancy of the joy and freedom from these same words. Men’s voices are highlighted, though the piece is not difficult. 40 measures, approximately 1:30. | ||
| Listen, View and Purchase on SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Jerusalem My Happy Home (arr. Lauran Delancy) | HM007 | |
| Choral | Vocal solo, or Childrens Choir w/Piano accomp. |
|
| Jerusalem, My Happy Home is a simple setting of the tune LAND OF REST for solo voice or children’s choir with piano accompaniment. This setting offers an aural anchor for the singer while still providing interest for the listener. | ||
| Listen, View and Purchase on SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Jesus Loves the Little Children (arr. Lauran Delancy) | HM009 | |
| Choral | Childrens Choir w/SAB, Piano accomp. |
|
| Jesus Loves the Little Children is a simple setting of the traditional childrens song of the same name for Childrens Choir and SAB with Piano accompaniment. Very simple to learn and fits nicely together. Children have the melody throughout, though the middle section moves to minor. Hymn tune CHILDREN. | ||
| Listen, View and Purchase on SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Psalm 128 (Lauran Delancy) | HM005 | |
| Choral | SA or Children, with Piano accomp. |
|
| Psalm 128 is an original setting for 2-part voices with piano accompaniment. This simple setting is anchored around a repeating refrain with interspersed verses. Appropriate for children or SA. | ||
| Listen, View and Purchase on SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
Other Instrumental Music:
| Guide Me, O Thou Great Redeemer (arr. Lauran Delancy) | HM046 | |
| Instrumental | Flute, Viola, Piano | |
| Guide Me, O Thou Great Redeemer is a joyful arrangementof the hymn tune CWM RHONDDA for Flute and Viola with Pianoaccompaniment. The playful accompaniment gives the entire piece a feeling ofcontinuous motion and elation. This piece is subtitled God of Grace and Godof Glory. This arrangement is approx. 1:30 in duration. | ||
| Listen, View and Purchase on JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||
| Meditation No. 1 (Lauran Delancy) | HM038 | |
| Instrumental | Flute, Viola, Piano | |
| Meditation No. 1 is an original composition for Flute and Viola with Piano accompaniment. The piece moves at a moderate tempo making it approachable for all three parts. A simple melody and sub-melody are shared between the flute and viola against a steady rhythm of broken chords in the piano. The effect is both calming and contemplative. | ||
| Listen, View and Purchase on JWPepper or SheetMusicPlus | ||
| OOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO | ||